J. Kirk Richards

Figurative artist J. Kirk Richards is becoming increasingly known for his accomplishments as a painter of Judeo-Christian themes. While not all of his paintings are overtly religious, the majority of his themes stem from spiritual ideas and narratives.

Kirk was born near Brigham Young University, the fourth of eight musical children. He attributes much of his love for the arts to an early emphasis on musical training in the home. As a teen, his interests turned from music to visual arts. He took private lessons from artist Clayton Williams to supplement his public school studies. Upon graduation, Richards was accepted into the B.Y.U. art program where he studied with artists Bruce Smith, Hagen Haltern, Gary Barton, James Christensen, Wulf Barsch, Joe Ostraff, and others.

Kirk served a two-year church mission in the areas surrounding Rome, Italy. On occasional breaks, he took advantage of opportunities to visit great Italian masterpieces. Among other things, the experience influenced his palette, which often consists of subdued browns and rusts.

Kirk took a break from University studies to briefly apprentice with Swiss-born symbolist Patrick Devonas. Richards attributes his learning of classical realist skills to the instruction he received from Devonas in Princeton, New Jersey.

Kirk's artwork has been featured in various shows and publications, including the BYU Museum of Art "Beholding Salvation: The Life of Christ in Word and Image" show and accompanying book, Lee Groberg's PBS Documentary and book entitled "Sweetwater Rescue: The Willie and Martin Handcart Story", Helen Whitney's PBS Frontline Documentary entitled "The Mormons: An American Experience", two books published by Covenant Communications entitled "Images and Testimonies of the Living Christ" and "The Holy Bible: New Testament", BYU Studies front covers, and various appearances in the Ensign.

His work has won first place awards in various shows, including the Springville Museum of Art Annual Spring Salon and Religious Show, Renaissance Center Juried Show in Nashville, Tennessee, Provo Arts Council Freedom Festival Fine Art Exhibit, Bountiful/Davis Art Center Statewide Art Competition, Southern Virginia University Annual Shenandoah Invitational Art Show, the Twentieth & Twenty-First Robert N. & Peggy Sears 2007 & 2008 Dixie State Invitational Art Shows, and the Museum of Church History and Art International Art Competitions (Award of Merit and Purchase Award).

While Richards continues to work in a surprising variety of styles, most of his paintings exhibit a love for the human figure, general use of symbolism and metaphor, and an emphasis on lyric composition. His paintings can be found in public and private collections nationwide.

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Grey Day Golgotha

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The Five Prepared

"Then shall the Kingdom of Heaven be likened unto ten virgins, which took lamps, and went forth to meet the bridegroom."



Five of them were wise, carrying enough oil to light their lamps on the way to the wedding. This painting is a depiction of the wise virgins, and a reminder of the beauty of preparedness.
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Mother & Child

"And she brought forth her firstborn son, and wrapped Him in swaddling clothes, and laid Him in a manger..."
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Last Supper

"Jesus took bread, and blessed it, and brake it, and gave it to the disciples, and said, Take, eat; This is my body. And e took the cup, and gave thanks, and gave it to them, saying, Drink ye all of it; For this is my blood of the New Testament, which is shed for many for the remission of sins."

The depiction of Christ and the Twelve Apostles feels simultaneously modern and ancient. The colors, textures, and gestures are reminiscent of primitive Middle-Eastern artwork, transporting the viewer back to the time of Jesus.
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Christ Portrait

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Harvest

"The harvest truly is plenteous, but the laborers are few; Pray ye therefore the Lord of the Harvest, that He will send forth laborers into His harvest."



This is an allegorical painting of women gathering grapes in the vineyard. It is intended to be a celebration of work and of reward.
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