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Once There Were Buffalo





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"Hoka Hey": Sioux War Cry





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A Camp Along The River





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A Friendly Game At Rendezvous 183



“Great gatherings of trappers and Indians could go on for three or more weeks, during which they would exchange hides for trade goods to carry them through the winter,” explains Howard Terpning. “This rendezvous takes place at Pierre’s Hole (now known as the Teton Basin), which is identified by the hills in the background. Much of the men’s leisure time was spent playing in games of all sorts, with cards being one of their most popular pastimes. Showing both the gaming participants and their spectators enabled me to do studies of an assortment of characters. Although some of the natives may not have understood the game itself, they were undoubtedly drawn in by its excitement.” Any true Terpning collector will be drawn to this stunning large format MasterWork™ image. Deal yourself into this winning hand before it’s too late!

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A Good Crossing





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A Most Perfect View



"After spending many hours reading about the Lewis and Clark Expedition, I wanted to visit some of the areas they had explored. I wanted to share their experience as much as I could, to get the feel of what they might have felt and to share their inspiration. My art explores the more heroic and mythical character of people, places, events or lore." In a stylized fashion that is reminiscent of Thomas Hart Benton, Newbold portrays the tiny band of explorers in an inspirational setting suggesting what they might have seen in that summer of 1805. More than once they climbed to see beyond the next hill, from whence they commanded "a most perfect view of the neighboring country."

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A New Day





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A Strange Sign





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Abandoned



Originally from Eastern Montana, the Crow Indians ranged far and wide by the 1870s. Parties of warriors would travel as far as the Rockies to raid rival tribes, hunt buffalo or chase off newly arrived settlers. This group of Crow inspects the remains of an unfinished, long-abandoned cabin they have encountered on one such journey. Such an intrusion would have been discovered on their own grounds long ago.

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After The Council





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Afterglow





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Among The Spirits Of The Long-Ago People



You know a painting is special when it’s the piece in an exhibition that the collectors just stand in front of for a long period of time and simply don’t say word. And, they keep coming back to do it again and again. If interrupted, they’ll return to it, intent on having the opportunity to enjoy a great work of art.

And in case we hadn’t picked up on that at the Masters of the American West art show this past February, the phone calls coming in to ask us, “When are you going to release it as a Fine Art Edition?” were certainly another clue that demand would be high for this particular giclée canvas.

The winner of the 2011 Thomas Moran Award for Painting, Among the Spirits of the Long-Ago People is a magnificent work. Terpning begins with a simple common premise; the grandeur of nature can be sacred. He relates that emotion not by creating a landscape painting, but by focusing on the reverence these men have for what they see. The petroglyphs show that this is an ancient understanding. These men knew it to be so in their time, just as we do today. Their silence, as they take in the wonder about them, is not unlike that of the collectors we saw view this work for the first time.

“Petroglyphs on rock formations indicate that the visitors are in a spiritual place,” describes Howard Terpning, “a place blessed by the long-ago people. Numerous locations like this exist throughout Montana and Wyoming, sometimes high on a mountain with a spectacular view of Mother Earth. For centuries, Indian people have made the journey to these sacred places to give thanks for their blessings and to pray for success in hunting and in battle. Today, they continue to visit these sacred places as their forebears did, leaving small pieces of trade cloth and handmade objects decorated with beads or feathers as gifts for the gods.”

Among the Spirits of the Long-Ago People is available as a Fine Art Canvas. At 33” x 35” it is an impressive work that will majestically fill any large space. Our carefully crafted giclée canvas will give you the experience of owning this great work of art for significantly less than the price the original captured in February. Also available is a more moderately sized and wonderfully priced Fine Art Giclée Paper. Both editions, truly faithful reproductions of the original, are signed by Howard Terpning and numbered.

Collectors who waited too long to commit to last Fall’s The Legend of Geronimo missed out on what is a beautiful (and now hard-to-come-by) canvas or paper edition. Don’t wait too long and miss out again!

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Anna Thorne





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Anticipation





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Apache In White





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Apache Scout





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Apache Trackers





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Apsaalooke Horse Hunters





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Apsaroke Autumn





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Apsaroke Guardian





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